can Reinhard Heinrich
"customer service" is the piece that may last as last Friday premiere of the comedy in the WTC went on the stage. Went? - Danced on the stage, brilliant slapstickte, it rotated. For rotation, thanks to the two small revolving stage is a fundamental element in the play, the director of the Vienna and Theaternarr Marcus Ganser successfully reshaped from a farce to tragicomedy. It may be that the author Curth Flatow (born 1920), "The successful representative of the Boulevard Theatre" (Wikipedia), actually does not believe his audience, to be able to expect too much depth - but Ganser director does not think so tickled and deeper truths from virtually all "funny" situations out - with the effect that the audience's laughter can sometimes get stuck in the throat. Of course this is just one funny when Gilbert Dumont (Heinz Rennie) to his jailers (Gisbert Peter Terhorst-) confesses, what has high recreational value of the sentence for him. But the truth is a statement about "life outside". On-the-story is told from the secure jail cell. An idyll, as we know from Olsen Gang movies. Adding to this is the almost affectionate care of the prisoner, however, unusual Thibaut by the guards. But when Dumont talks about his life before prison, then breaks out the hell in the cell. Outside - there is one only of success, as measured by revenue generated outside of the service coupler.
do with all, no one asks if the seller Dumont not commit a "crime" after another to the bourgeois morality has to really satisfy everyone - including Madame Dumont. And crimes are anyway only when they come before the judge. Finally, he does - in the interest of the company - all of its customers very much joy and fails only on the selfish pursuit of his three wives parallel to the sole possession of the charming juggler. Here Rennie is in his element. He plays like the devil and are still in between props and stage manager. changed clothes because for the next role on stage - not without some hilarious effects. As Rennie directed more quickly to tie his bosses before he even in "time before" jump - during the Great Chief in it long ago and is already on the phone with his sales force. Applied so thick you can see the rare. A Look!
The would-Gisbert Peter Terhorst not without some intense (guards, president), some low-key (Butler, housekeeper) game. It seems as if he were in the small of the - and for - large Rolls resting. But where is peace - 100 minutes still on stage - and almost always in front? Terhune is the surprise of the evening (especially if you had children at the right time and remembers his 8 years as quite brave "Peter" on the "Tracks Playground" in the Friday evening greeting). As convincing as funny today can only be one who takes his work very seriously.
Who now are the three women, which - redemption - in the end, a fourth is coming? Claudia Wenzel. End of story. Somehow she manages to even end up playing to three women present at the same time. And shows that their ability to be practically any woman who is needed. Just as we know it from TV - But without these transformations on the open stage. Hart calls it - and meets the highest standards, as she has learned it. Perfect.
Speaking learned: The School of Music "Carl Maria von Weber", the Drama School "Hans Otto" and the Film Academy in Potsdam-Babelsberg have produced those two gentlemen and a lady, here three of 12 rolls play as if they had never done anything else. Although this is explained nicely with genius and talent - but not without making craft and discipline. And without the "ground crew" is not. And so was director Marcus Ganser (left) one of the final curtain, the "collective from behind the stage "will appear at the course (on the sofa!) with. What so of course not. You see it, frankly, is rare. But" the whole movement "of the production had earned it. Not just" dial and hands "Share were at Applause. 
